Name: Electro-Voice RE320, VARIABLE-D, DYNAMIC MICROPHONE, C
SKU: 11014
Price: 56328.00 INR
Availability: InStock

Features :

Maximum versatility for broadcasting, podcasting, and music production

Variable-D proximity control minimizes positional and off-axis tonal shifts

Integrated humbucking coil and integral pop filters provide virtually noiseless performance

Unique dual-voicing switch selects from two response curves:

General purpose curve for voice and instrument production

Kick drum curve for bass drums and some voices

About this product :

A professional-grade dynamic microphone for broadcasting, podcasting, recording, and sound reinforcement applications requiring extremely low noise and the best possible tonal and transient response. Ideal for capturing a wide variety of vocal and instrument sources, the RE320 delivers unparalleled detail, dynamic response, and pleasing natural tone.

Two-Position Frequency Response Contour Switch

Selecting the left-hand switch position engages a curve specifically designed for use on kick drums. With dips and peaks exactly where kick drums need a little EQ attention, the result is an incredibly tight “insta-kick” sound requiring little if any additional EQ when the microphone is properly positioned at the drum.
Selecting the right-hand switch position engages a flatter, more linear curve designed to be ideal for other instruments (such as guitar amps, bass amps, low toms, percussion, brass and wind instruments etc.) as well as voice (music and speech) in many applications. The response is smooth, natural, and articulate with a minimum of discolored off-axis bleed from surrounding sound sources.

Humbucking Coil Technology

Utilizing the same humbucking coil technology found in the RE20 and RE27N/D to arrest electro-magnetic field interference introduced from sources close to the microphone, the RE320 produces an ultraquiet signal path free from the hum and buzz found in other dynamic microphones.

Variable-D

Electro-Voice’s exclusive solution to the tonal changes associated with the proximity effect found in other directional microphones. Providing balanced and uniform frequency response up to 180° off-axis, the result is always stable and linear tonal performance even when the sound source is moving around the mic.